Swim & fitness
Sienna Vale
I was shooting four days a week and still felt behind. Now I fly in once a quarter, we shoot everything, and I do not touch a camera again until the next one.
One day in our studio. We shoot your set and license your voice, then our AI turns it into a month of content, replies to your DMs in your voice, posts across every platform and runs the upsells. You work a fraction as much. The account keeps moving without you.
















◆ 18+ creators only · Applications reviewed personally · An answer either way
See how Aura Haus turns one studio capture into a scalable library of high-end content built around a creator's real face, licensed voice and approved style.
Traditional agencies need you shooting every week to keep a feed alive. We do not. We capture you properly once, in a real studio with real lighting, and that library becomes the seed for everything that goes out after.
Every post still looks like you, sounds like you and gets approved by you. You just stop being the bottleneck.
Apply to the Haus →
A short breakdown of what we run, what it costs and what other creators earn. No call, no pressure.
Everything a traditional agency staffs with people, run by a team that never clocks out. You stay the face, the voice and the boss.
A full day with our crew. Lighting, wardrobe, sets and angles, shot to build a library instead of a single drop. Your voice is recorded and licensed in the same session.
Your library becomes feed posts, teasers, PPV sets and short form, on a calendar that never goes quiet. Everything routes through your approval queue first.
Subscribers get replies written in your voice, trained on your language and held to the boundaries you set. Anything sensitive or high value gets escalated to a person on our team.
Daily posting across every discovery platform, funnels back to the paywall, plus brand partnerships and collabs sourced by the team. Reported to you every week.
Tell us your handle, your numbers and how much you actually want to work. Reviewed personally, answered either way.
You fly in, we shoot. Hair, makeup, wardrobe and crew covered by us. Voice session in the afternoon.
We build your engine, load your boundaries and run it past you line by line until it sounds exactly like you.
The Haus takes over posting, chat and upsells. You approve, you cash out, you get your week back.
Most agencies take a percentage to give you more work. We take a percentage to take the work away.
One engine behind all of them. The look, the voice and the boundaries stay entirely theirs.
Swim & fitness
I was shooting four days a week and still felt behind. Now I fly in once a quarter, we shoot everything, and I do not touch a camera again until the next one.
Nightlife & alt
My old agency had five different chatters pretending to be me and my regulars noticed. Now there is one voice and it is actually mine, because I wrote the rules it follows.
Luxury & editorial
I signed because of the paperwork, not the pitch. Every use of my face and my voice is written down, time limited and mine to end. Nobody else put that in front of me.












Far less. Plan on one studio day a quarter with our crew, plus the occasional phone clip if you feel like it. That single day is what feeds the calendar for the months after.
A model trained on your voice and your written boundaries handles the volume, with our team supervising, spot checking and stepping in on anything sensitive or high value. You get transcripts. You set what is off limits, and it does not cross those lines.
Rules differ by platform and they change. We work to each platform's current media and disclosure policies and keep the content strategy clear of anything that risks the account. If a platform bans an approach, we do not run it.
The license to your image and voice ends with the agreement and the models built on you are retired and deleted. The library we funded and produced stays with the Haus, which is what lets us cover the studio, crew and build with nothing out of your pocket. Anything you shot yourself was always yours.
Revenue share, scoped to what we actually run for you. The split, the term and the exit are all on the table before you sign anything. We cover the studio, crew and production.
No single follower number decides it. We look at your current earnings, how much you want to work and whether the leverage we add would meaningfully change your numbers. We will tell you early if it would not.
Tell us where the account is today and how much of your life it is eating. Applications are reviewed personally. If it is a fit, we reach out.